STUCK IN AN ELEVATOR
Stuck in an elevator (and hearing voices)
Part of what makes great dialogue is being able to write for a pre-existing character and nail it; another part consists of taking characters and giving them a new, unexpected twist, another is the sense of humor that leaves the audience smiling long afterwards. It works and it sticks. Here is an example from The Narrative Department's masterclass on game writing, an assignment for which we were challenged to capture three pre-established voices accurately.
Characters
-Lara Croft, the crafty treasure hunter from the Tomb Raider series
-Ciara, the bisexual druidess romantic interest from AC: Valhalla’s DLC: The Curse of the Druids
-The Dragonborn, the cipher from Skyrim
FADE IN:
INT. ELEVATOR — OFFICE BUILDING — MIDNIGHT
Inside of a metal-lined elevator stands LARA CROFT (30s, British, beautiful), arms crossed, looking around the empty space, then down her outfit.
LARA CROFT (scoffs)
Why?! Why do they always dress me up like a trampy archaeologist?
The doors OPEN, in walks the DRAGONBORN (tall, androgynous), in head to toe armor with a bow and sword. Beside him, CIARA (late 20s, sultry ginger lassie) staggers in drunk, dressed in furs and leather, a red mark on her lovely face. The doors SHUT.
LARA CROFT
I say! Is it Halloween? Aren’t you two quite the pair? What floor? I was going…well, blimey! I can’t remember. How odd. Can you?
CIARA
Wonders of wonders! You have trapped us in a strange, shiny cage, strange lass! But tell me true, do you have ale?
LARA CROFT
Not from around here, are you, Shakespeare?
DRAGONBORN
Press X to equip the enchanted spear.
Lara Croft and Ciara look warily at the Dragonborn, who stands stock still. The women take a cautious step back from him.
LARA CROFT
Still want that ale, mate?
CIARA
Aye, lass. Even more than before. I’m Ciara.
Ciara reaches out her hand, and Lara Croft shakes it. Ciara smiles and winks at her before releasing her hand.
LARA CROFT
Lara. Sorry, cheeky monkey. I’ve swung a lot in the past, but not that way. Is he all right? Should I worry?
CIARA
Ah, my mouth has gotten me in enough trouble today. This one’s not with me, lass, but no, you’ve no need to fear him.
Ciara holds out her hands and a blue MAGIC glows inside of them.
LARA CROFT
Is that magic, Ciara?
CIARA
Aye, fair Lara, for I am a druidess. Have no fear while I am here.
Still, I can scarce recall how I came to be here at all.
LARA CROFT
Are you also a poet?
CIARA
Nay, fair Lara. I am a poetess.
LARA CROFT
Of course you are. What do you remember?
Ciara SHRUGS, pointing to the numbered buttons by the door.
CIARA
I was wandering, lost in the forest. ‘Tis all a fog in my mind to recall how I came here. Are those buttons magic?
DRAGONBORN
Click enter to confirm putting one skill point into Destruction Magic.
LARA CROFT
Are you quite mad? (sighs) Assuming you’re not, before Sir Talksalot explodes or wakes up, let’s get out of this prison.
DRAGONBORN
Prisoner! Select your race and name.
CIARA
What is this prison? Where am I?
LARA CROFT
WHEN are you might be a better question, based on your clothes and speech. (To Dragonborn) Excuse me, sir or ma’am?
Lara Croft KNOCKS once cautiously on the Dragonborn’s armor. It sounds hollow.
CIARA
Hollow inside.
LARA CROFT
So haunted or cursed, this walking talking suit of armor?
DRAGONBORN
Equipping heavy dragonscale armor.
The Dragonborn’s armor GLOWS from inside.
LARA CROFT
Look out!
CIARA
Behind me!
Ciara turns the blue light, proof of her immense power, into a protective shield around the women, but does not STOP the Dragonborn’s aura.
CIARA
Nay, fair Lara; I am the mightiest of mighty druidesses, but this one’s got powerful magic far beyond my ken. I’m pressed to continue holding it back!
DRAGONBORN
Press X to continue.
Lara Croft takes a peek at the elevator buttons.
ZOOM IN:
INT. ELEVATOR -- BUTTON PANEL -- CONTINUOUS
Top button without a number, marked: X.
ZOOM OUT:
INT. ELEVATOR — CONTINUOUS
Lara shows Ciara the button.
LARA CROFT
Well, it usually marks the spot. Let’s find out, shall we? Before this malfunctioning Tin Man here blows us all to bloody smithereens.
Lara Croft presses the button for the top floor marked X. It GLOWS an ominous blood red. The elevator moves up. Ciara LURCHES and GRABS onto the railing. We hear POPPING and see SPARKS in the blue light around Ciara. The Dragonborn’s glow slowly expands outwards.
CIARA
What devilry have you wrought, lass? The floor moves 'neath my feet!
The glowing Dragonborn TURNS towards the elevator doors, Ciara FALLS to the floor, HOLDS her head in terror. The blue FLASHES and SPARKS around Ciara grow longer and brighter.
DRAGONBORN
Press W or the up key to move forward.
CIARA
Spirits of the earth! Make it stop!
Ciara rolls on the floor, SCREAMING. After a moment, the blue sparks UNITE into a hazy aura surrounding her, growing brighter by the second.
LARA CROFT
Girl, get up!
Lara TOUCHES Ciara, and is THROWN against the wall, and both her pistols FIRE. The echo is deafening, and Lara Croft puts her hands over her ears.
DRAGONBORN
Press enter to level up.
From up above, we hear a ROAR and a CRASH that shakes the ascending elevator and its occupants.
LARA CROFT
I’m always up for adventure, but what was that?!?
DRAGONBORN
Once I was an adventurer like you….
Lara Croft takes out her PISTOL and BANGS it on the Dragonborn’s helmet.
LARA CROFT
Oh, no, you don’t! I’m a dangerous girl and right now I’m losing patience.
CIARA
The great serpent of Ireland! It’s come for us at last!
Ciara GRABS Lara Croft’s arm. Lara Croft GLOWS blue and SCREAMS in pain.
LARA CROFT
Let go! You’re frying me alive!
CIARA
Let me out!!
Lara manages to break Ciara’s grasp as the blue aura around her grows brighter, louder, and bluer.
DRAGONBORN
Press enter to select shout.
The elevator STOPS, a bell DINGS, and the doors SLIDE open to reveal...
CUT TO:
I/O THE ROOF AND ELEVATOR — 2 MINUTES AFTER MIDNIGHT
Through the ceiling, which has been ripped open, perches a huge dragon, ALDUIN (giant and scary), who CHUCKLES as he sees the three in the elevator.
ALDUIN
Well, well, well, What tasty little morsels do we have here? All in a tin can.
Ciara, BUZZES and GLOWS blue like a bug zapper, STANDS and POINTS her hands at Alduin as she SCREAMS in pain.
CIARA
You want to rid the world of us? I shall rid it of you, foul serpent!
LARA CROFT
Perhaps not just yet, then.
Lara Croft pulls out her other pistol and points both at Alduin.
DRAGONBORN
Why do you think? End of the line.
ALDUIN
I shall consume you pathetic humans and then devour your entire world!
LARA CROFT
Anyway, busy girl, gotta go.
DRAGONBORN
RII VAAZ UI!
SLO-MO:
INT. ELEVATOR -- CONTINUOUS
Lara Croft YELLS as she FIRES at Alduin, her bullets SPIRAL out of the smoking barrels.
We follow the bullets as they travel through Ciara’s blue magic, ABSORBING it all as she ARCHES her back in pain.
I/O. ELEVATOR AND ROOF -- CONTINUOUS
We follow with the blue bullets’ trajectories, as the shock waves of the Dragonborn’s shout CATCH UP TO and PROPEL the blue bullets into Alduin’s chest.
END SLO-MO:
EXT. ROOF -- CONTINUOUS
Alduin COLLAPSES, bringing down much of the ceiling with him.
ALDUIN
NOOOOOO!!!!!!!!
Alduin DIES. Ciara GASPS, then SIGHS in relief. Lara Croft PUFFS onto each smoking pistol’s barrel, SPINS each around on a finger, and STORES them in her leg holsters. She EXAMINES Alduin’s body. Ciara stands and joins her.
LARA CROFT
Well, that’s something you don’t see every day.
CIARA
Aye, fair Lara. You and I have seen death together. I would like to celebrate life with you, and a cup of ale too?
LARA CROFT
Maybe an ale, cheeky monkey. And an explanation?
CIARA
You tell me! We have nary a snake in Ireland.
LARA CROFT
That would explain the accent and the clothes. But this?
Lara POINTS as Alduin’s spirit RUSHES like a tornado of light into the DRAGONBORN. A hanging light fixture, torn from the ceiling by Alduin’s fall and caught by the wind, HITS the Dragonborn’s helmet with a CLANG. The Dragonborn FACES the two women.
DRAGONBORN
…until I took an arrow in the knee.
CIARA AND LARA CROFT
NOOOOOO!!!!!!!!
FADE OUT: